I saw La Haine when it came out and as soon as it was on DVD I bought it. I lent it out and it’s whereabouts are now unknown. Nevertheless, this is easily on my top ten of all time list, perhaps number 1. Black and white, with a close up, in your face attention to detail you’ll only see in a film like Jean Luc Goddard’s Alphaville. Alphaville I saw with a film maker friend of mine right after we graduated from college. Incredible, every shot is treated witht he care that a still photograph would be. Now that I think of it, I’m willing to bet Wong Kar Wai of In the Mood for Love fame is a big fan of Alphaville.
Here’s links to both films on Netflix:
La Haine on Netflix.
French director Mathieu Kassovitz traces a fateful day in the lives of alienated ghetto youths Vinz (Vincent Cassel), Saïd (Saïd Taghmaoui) and Hubert (Hubert Koundé) — a Jew, an Arab and an African, respectively — who are grappling with the aftermath of unexpected tragedy. When their friend Abdel lies comatose after a police beating, Vinz vows to dispense rough justice, sealing the destiny of all three.
Alphaville on Netflix:
Directed by cinematic legend Jean-Luc Godard, this mesmerizing sci-fi noir centers on secret agent Lemmy Caution (Eddie Constantine) and his mission to destroy Alpha 60, the sentient computer that controls Alphaville by destroying freedom of thought or individuality. Brilliantly realized and crafted, Godard’s 1965 film helped to lay the foundation for future sci-fi classics such as Blade Runner, The Terminator and The Matrix.
Engaged in a recent conversation about the difference between art and design I decided to try and figure out how I can express this in simple terms.
To me, design is the satisfaction of both a need and a desire, simultaneously. It’s this magical crossing of wires that makes us swoon at the creative solution to a common problem that we never imagined existed. And it’s the “need” in the equation that I think separates design from art, it’s pragmatic, at least in essence.
To implement this “design” thinking, it’s this easy: Identify a need or a desire, and work back form there. Find a need, create a desire. Fine a desire, create a need.
The companies driven by design thinking all do this. Especially highly desirable brands. For example…
Porsche 911 Turbo:
A desire that becomes a need.
Also a need that becomes a desire.
One must get from A to B.
Omega Speedmaster:
A need that becomes a desire.
One must tell time.
Mast Brothers Chocolate:
A desire that becomes a need.
Once you set the bar high it stays there.
Here’s a Bio from his Flickr site:
“France has long been a breeding ground for unusual yet badass graff styles. It’s no surprise then that the work of French graffiti artist REMED is both unusual and badass in the extreme. REMED is a spin-off alter-ego of the artist Guilo who initially gained fame with his Moroccan-influenced paintings of bearded men. That heavily-patterned style mixed with a yen to create art on any available surface led Guilo to create the REMED persona to distinguish his new characters and symbols from previous work. What sets him apart is the focus on his own evolution and a minimum of deep message. He’s doing his own thing, and it’s nice to come across that particular kind of passion in the graff world, the pure joy of cr eating regardless of outside influences.” Source : Our art site.com(magazineweb US)”
Look at these images, so minimal and so Swedish 60’s meets african tribal. I’m excited to be witness to the evolution of his work:
In a way his work reminds me of Swedish illustrator and designer Olle Eksell, but Remed’s work is so much more serious and contemporary:
From the bio on his AFG Management site:
As one of today’s foremost photographers working in fashion, beauty and entertainment, guy aroch has developed an original and iconic style that is uniquely timeless, evocative and modern. In recent years we have seen his creative style evolve with his use of saturated colors and layered exposures, setting a benchmark in contemporary photography.
I’m totally loving Guy’s work. It’s got that special Lomo meets Kodak meets 70’s pulp book cover style that I’m loving these days. Here’s a sampling from his portfolio:
Guy Aroch Photography.
I recently did some serious research into watches. I’ve always been a sucker for neat vintage-style digital watches but decided it was fine time to have a real watch, a watch I can hand down someday.
This process, mostly from research in forums like watchuseek, led me to peel back the onion on what it is about watches that are valuable and what it is about watches that we’re emotional about. I found out some interesting things that are relevant to a brand and design discussion.
The net of what I learned is this. There’s a lot of very expensive watches made very cheaply sold to people willing to trust luxury brands for their name’s intrinsic value. But the second thing I learned is there’s a growing subculture of watch makers and lovers that are creating and supporting brands that make watches the old way, well designed, well engineered and built to last.
Here’s what I learned:
1. A watch is essentially made out of 4 things:
(A) The Movement: Either battery operated (called Quartz), Automatic or Wound. Here’s a good overview of movement types. This is the guts, it’s what makes the watch run and keeps time essentially. There are only a few companies in the world that make these movements, as the Swatch Group has consolidated many of them. You can ask any jeweler what kind of movement any watch he sells has in it. If he can’t tell you, he doesn’t know watches. Buy a watch that’s made with a movement that’s well known, either Swiss or Japanese.
(B) The Body: This is the solid piece of plastic or metal or wood, etc. that houses the watch. The movement goes inside this. This is really the part that’s “designed”. Look to see if it’s pressed in a machine or tooled.
(C) The Face & Hands: This is what the surface of the watch looks like, it’s what you look at to tell time. A nice watch will have a “Sapphire” crystal. This is industry language for “scratch proof”. It’s not real crystal. Hands and face designs are really about appropriateness to the watch style and to the preference of the owner.
(D) The Band: This is what you use to attach the watch to your wrist. Look to see if it’s real leather, or SOLID stainless. If it’s not solid stainless, it’s a cheapo.
This is interesting because if you’re a design savvy person and you want to start producing watches, it’s quite doable. Choose a movement (quartz (battery operated) or automatic (self winding) and then design the body, and then make a band. Note to self.
It’s also interesting because companies like Gucci have these kinds of things thrown together and with the Gucci name on it, charge upwards of 2-3k per watch. Yet they may share the same movement as a lesser priced watch. At this point you’re paying for brand and design. But the buyer of this watch isn’t thinking about the movement, they’re thinking about the outside of the watch.
2. Women almost never buy automatic watches:
I found this funny because automatic watches really should be the expensive ones. But they’re not necessarily. My wife was dying trying to find an auto watch with a nice design from brand that wasn’t too widely worn. Nearly impossible (we finally figured it out). For a woman who’s not interested in the mystique of the self winding watch, there’s a quartz movement, essentially a fancy name for a battery operated watch. Gucci watches are mostly quartz. Again, you’re paying in the thousands for a battery operated movement. It’s pretty much the same as what’s in a swatch. The money is for the case design and brand name.
I was surprised to find out that people were willing to just “trust” a jeweler or watch brand that because it’s expensive it must be good. This is not the case with cars, or with any other mechanical device I can think of. It’s true of clothing, but that’s a more superficial purchase.
So if you’re going to buy a watch, ask what kind of movement is in it. If it’s nothing special know you’re paying for something that has no other value to it other than the perception of brand value. Try and find watches that use the best movement sin the world, and if you’re feeling adventurous, something automatic. They have a life of their own.
The fruit of my labors (with a preference slanted towards chunky men’s watches):
Here’s a few brands I’ve discovered that offer tremendous value and unique craftmanship on watches you might love but have never heard of. They’re also all beautifully designed and won’t be unnecessarily perceived as “showy” (it takes a special person to pull off a gold Rolex. Not that it can’t be done, but it’s definitely not me pulling this off):
Hamilton Khaki Watches (mostly Auto) made in switzerland, similar movements to Omega if not the same. Note: In looking to grab one of these I discovered that hands down the best prices are from a jeweler in Cali named “Topper”, I almost bought one of these so I know first hand (this was unsolicited FYI). If you don’t believe me, check them out on the watchuseek forums, their reputation is widely understood as honest and helpful.
Here’s a few watches from the “Khaki” series:
Bill Yao’s MKII Watches, custom designs based on vintage men’s watches. To me, this is the quintessential men’s watch, classic gentleman’s watch with a touch of black ops bad-assness thrown in. Each one hand made and custom orders are accepted as well. Bill has a 4 month turnaround on these, out of Pennsylvania, US. I find these incredibly sexy, and his reputation is for watches worth far beyond what he charges, this will probably change soon:
This guy goes by “watchesu571″ on ebay. He makes these by hand, and uses Japanese movements. These are all homages to vintage and military divers and tactical watches, similar to MKII’s but much cheaper, these are “beater” watches, but a hell of a lot of watch if you buy the solid stainless quartz diver. The quartz divers go for about 70 US dollars, and the autos go for about 400. A few weeks ago the autos were going for about 150. I should have bought one. I picked up one of the quartz divers (while I wait for my custom Bill Yao) and replaced the band with a vintage James Bond NATO band from Gnomon Watches.
Here’s that NATO band from Gnomon. Gnomon’s located in Malaysia, but they have the real deal on watches and bands. Compare their prices to anything retail in the US and you’ll be sold. Gnomon also sells MKII watches here.
Ollech & Wajs Watches:
These are such a screaming bargain that they’re almost impossible to get. They apparently make these in batches and are consistently on backorder. They’re designed and manufactured in Germany but use Swiss movements exclusively. These, like Bill Yao’s watches are the kind of watches people will spend 2 – 10k on just by looks alone. These are extremely well made, using fine movements and are gorgeous designs. I tried to get the M65 but then gave up because it’s so widely unavailable. This just ups the appeal.
